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Tomorrow Started
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Ganz interessant:
Im aktuellen OBNE Blog hat Brady mal ein paar Sätze zum Fault geschrieben. Z.B. wie es zu so etwas "Einfachem" wie einem OD im Hause Old Blood gekommen ist und dass die User schon etwas Abgefahreneres erwartet hätten das besser in ihr sonstiges Sortiment passt.
Ich freu mich jetzt erst mal auf's Copper Iron Horse, welches aus California bereits verschickt wurde.![Clap Hands :claphands: :claphands:](/styles/mb/images/smilies/clap_hands.gif)
Somit ist erst mal nicht nur das Fault sondern auch das Caroline Wave Cannon bei mir kein Thema mehr...![Wink ;) ;)](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
Im aktuellen OBNE Blog hat Brady mal ein paar Sätze zum Fault geschrieben. Z.B. wie es zu so etwas "Einfachem" wie einem OD im Hause Old Blood gekommen ist und dass die User schon etwas Abgefahreneres erwartet hätten das besser in ihr sonstiges Sortiment passt.
The Fault Overdrive / Distortion. Why is it?
June 18, 2017
So, the cat is out of the proverbial bag. We released our first drive-ish pedal. Announced it on Cinco de Mayo, 2017. Started shipping back on Wednesday May 17th. But the Fault origins started awhile back and sort of centers around my personal preference for overdriven and distorted guitar sounds. See, I tend to prefer an amp that has some drive to it and is already dynamic before ever putting a pedal in front of it. So that's where we went.
I've been somewhat surprised by the response to an Old Blood overdrive. A couple of common questions have included "What made Old Blood want to make an overdrive?" often said with a scrunched face and upward inflection. Well, honestly, over time we had a hodge podge overdrive circuit with EQ and Gain functionality that we personally enjoyed. And the MO of Old Blood from day one has been to put out pedals that we enjoy and find musical, even though others may not. "Will it fit in with your lineup since it isn't that weird?" It is true. The Fault isn't that weird. And I'm not sure how functional a "weird" overdrive would be. Just don't have the vision for that I guess. What it lacks in weirdness, I suppose, was made up for by the ability to cover a lot of sonic territory. The Fault can be used in a wide range of setups, clean and dirty amps alike, with a lot of EQ tweakability to make unique and musical sounds.
Also, I'd like to extend thanks to the musical and engineering brains who offered up some feedback on the Fault. We sent out around 10 "Proto" units to be verbally and physically abused in order to refine the circuit as best we could. And this Fault. This pedal. This is where we landed. For us, it does the trick. So we'll probably get back to the niche and the weird.
Ich freu mich jetzt erst mal auf's Copper Iron Horse, welches aus California bereits verschickt wurde.
![Clap Hands :claphands: :claphands:](/styles/mb/images/smilies/clap_hands.gif)
Somit ist erst mal nicht nur das Fault sondern auch das Caroline Wave Cannon bei mir kein Thema mehr...